Media archeology and a new agenda for cinema studies

Authors

DOI:

https://doi.org/10.15448/1980-3729.2020.1.37720

Keywords:

Media archeology, Film history, Film theory, Thomas Elsaesser, Genealogy

Abstract

Review of the book Cinema as Archeology of the Media, by Thomas Elsaesser, released in 2018. This is an important work for the current agenda of cinema studies. With a consistent argument, Elsaesser suggests an understanding of the impact of digital technology on cinema from an archaeological perspective, which has on historical discontinuity one of its epitomes. Under this circumstances, the author revisits essential concepts and methodologies of cinema studies, such as device, language and narrative, cinema origins, research with audiences, viewers and even the impact of the so-called “cinema of attractions”, in the “early cinema” period. While reviewing these these concepts, Elsaesser points out that the study of discontinuities may have a profound impact on contemporary film studies. The German author also presents the concept of poetics of obsoloscence, emphasizing filmmakers and visual artists with aesthetic projects akin to media archeology.

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Author Biography

Pablo Gonçalo, Universidade de Brasília (UnB), Brasília, DF, Brasil.

Doutor em Comunicação pela Universidade Federal do Rio de Janeiro (UFRJ), no Rio de Janeiro, RJ, Brasil. Pós-doutorado EM Comunicação pela Universidade de São Paulo (USP), em São Paulo, SP, Brasil. Professor da Universidade de Brasília (UnB), em Brasília, DF, Brasil.

References

CASSETI, Francesco. The Lumière Galaxy: seven keywords for the cinema to come. Nova York: Columbia University Press, 2015. https://doi.org/10.7312/columbia/9780231172431.001.0001

ELSAESSER, Thomas. Film History as Media Archeology: tracking digital cinema. Amsterdam: Amsterdam University Press, 2016. https://doi.org/10.2307/j.ctt1zxskjv

ELSAESSER, Thomas. Cinema como arqueologia das mídias. São Paulo: SESC Edições, 2018.

FOUCAULT, Michel: Microfísica do poder. Rio de Janeiro: Editora Paz e Terra, 2014.

GUNNING, Tom. D. W. Griffith and the origins of the American narrative film: the early years at biograph. Chicago: University of Illinois Press, 1993.

HANSEN, Mirian. Babel and Babylon: spectatorship in American silent film. Boston: Harvard University Press, 1994.

MULVEY, Laura. Visual and other Pleasures. Londres: Palgrave Macmillan, 2009.

PARIKKA, Jussi. What is Media Archeology? Cambridge: Polity Press, 2012.

RODOWICK, David. The Virtual Life of Film. Boston: Harvard University Press, 2007. https://doi.org/10.4159/9780674042834

ZIELIENSKI, Siegfried. Arqueologia da Mídia: busca do tempo remoto do ver e do ouvir. São Paulo: Annablume, 2008.

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Published

2020-12-17

How to Cite

Gonçalo, P. (2020). Media archeology and a new agenda for cinema studies. Revista FAMECOS, 27(1), e37720. https://doi.org/10.15448/1980-3729.2020.1.37720

Issue

Vol. 27 No. 1 (2020): Single Number

Section

Review

License

Copyright (c) 2020 Revista FAMECOS

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