Queen, the Queen: Controversies about gender and performances

Authors

  • Adriana Amaral Universidade do Vale do Rio dos Sinos (UNISINOS)
  • Camila Monteiro University of Huddersfield (UK)
  • Thiago Soares Universidade Federal de Pernambuco (UFPE)

DOI:

https://doi.org/10.15448/1980-3729.2017.1.23912

Keywords:

Communication, Performance, Genres

Abstract

Based on the live performance of the group Queen in the 2015 Rock in Rio edition, when the British rock band featured a former member of reality musical show as a lead vocalist, we outline a controversy mapping to think about how gender issues, especially the debate on masculinity, can be important tools to think about the construction of value in pop music. The main issue relates to the different male performances of the two vocalists (Freddie Mercury, the original singer of the band and Adam Lambert, in Rock in Rio 2015), eliciting distinct places in the corporeality of pop music, as well as the notion of path as an apparatus capable to evoke principles of authenticity for artists. Our methodological process was the performance observation starting from three controversy categories: origins, music genres and bodies. The data was collected through YouTube, Twitter and LGBT blogs. As an initial result we indicate that the governability f bodies in a performance necessarily needs to renacte another performances, including the dichotomy surrounding presence in an update of performatic ritual where notions of file and setlist – already discussed by Diana Taylor (2013) - are important to discuss multiple possibilities of tensions and controversies in these spetacles.

Downloads

Download data is not yet available.

Author Biographies

Adriana Amaral, Universidade do Vale do Rio dos Sinos (UNISINOS)

Professora do PPG em Comunicação da Universidade do Vale do Rio dos Sinos (UNISINOS). Pós-Doutora em Mídia, Cultura e Comunicação pela University of Surrey (Reino Unido). Pesquisadora do CNPq. Líder do GP CULTPOP.

Camila Monteiro, University of Huddersfield (UK)

Doutoranda em Música e Mídia na University of Huddersfield (UK), Mestre em Processos Midiáticos pela Universidade do Vale do Rio dos Sinos (UNISINOS). Bolsista da CAPES.

Thiago Soares, Universidade Federal de Pernambuco (UFPE)

Professor do Programa de Pós-Graduação em Comunicação da Universidade Federal de Pernambuco (UFPE), doutor em Comunicação e Cultura Contemporâneas (UFBA).

References

BARNES, K. Top 40 Radio: A Fragment of the Imagination. In: FRITH, S. Facing the Music. Nova York: Pantheon Book, p. 8-50, 1988.

BORGES, E. Vida longa à nova Rainha. Obvious Mag, 2015. Disponível em: http://lounge.obviousmag.org/sup3rtr4mp/2015/09/vida-longa-a-nova-rainha. html

Acesso em: 8 jan. 2016.

BOURDIEU, P. A Dominação Masculina. São Paulo: Bertrand Brasil, 1998.

BRILL, D. Goth Culture: Gender, Sexuality and Style. Oxford: Berg, 2008. DOI: http://dx.doi.org/10.2752/9781847887184

BURSTON, P. e RICHARDSON, C. A Queer Romance: Lesbian, Gay Men and Popular Culture. Londres: Routledge, 1995.

BUTLER, J. Problemas de Gênero: Feminismo e Subversão de Identidade. Rio de Janeiro: Civilização Brasileira, 2015.

DIAS, M.T. Os Donos da Voz. São Paulo: Boitempo, 2000.

DISH of Salt. ‘Idol’s’ Adam Lambert On His Photo Scandal. Access Hollywood, 06 mar. 2009. Disponível em: http://www.accesshollywood.com/articles/dish-of-salt-idols-adam-lambert-on-his-photo-scandal-68499/#gDY8PGY2fiEjIb1D.99

Acesso em: 13 dez. 2015.

EASTHOPE, A. What a Man’s Gotta Do: The Masculine Myth in Popular Culture. Londres: Paladin, 1986.

EDWARDS, J., MONNET, A. (Orgs). Introduction: From Goth/ic to Pop. In: EDWARDS, J., MONNET, A. Pop Goth: The Gothic in Contemporary Literature and Popular Culture. New York: Routledge, 2012.

FRITH, S.; McROBBIE, A. Rock and Sexuality. In: FRITH, S. e GOODWIN, A. (orgs) On Record: Pop, Rock and the Written Word. Nova York: Pantheon Books, p. 71-89, 1990.

FUCHS, C. If I Had a Dick: Queers, Punks, and Alternative Acts. In: SWISS, T., SLOOP, J. e HERMAN, A. (eds). Mapping the Beat: Popular Music and Contemporary Theory. Malden: Blackwell, 1998.

KATY Perry´s Cape Crusade. TMZ. 18 mai. 2009. Disponível em: http://www.tmz.com/2009/05/18/katy-perry-victim-of-an-a-i-caped-crusade/

Acesso em: 3 fev. 2016.

KIRSCHNER, T. Studying Rock: Towards a Matherialistic Ethnography. In: SWISS, T., SLOOP, J. e HERMAN, A. (eds). Mapping the Beat. Popular Music and Contemporary Theory. Malden: Blackwell, 1998.

LONGO, F. Banda “bicha”, vocalista gay e um show super viado no Rock in Rio. Revista Forum, blog Os Entendidos, 20 set. 2015. Disponível em: http://www.revistaforum.com.br/osentendidos/2015/09/20/bicha-vocalista-gay-show-viado-rock-in-rio/

Acesso em: 21 set. 2015.

LORENTZ, B. Adam Lambert diz que alguns fãs do Queen “enchem o saco dele” nos shows. G1. 10 set. 2015. Disponível em: http://g1.globo.com/musica/rock-in-rio/2015/noticia/2015/09/adam-lambert-diz-que-alguns-fas-do-queen-enchem-saco-dele-nos-shows.html

Acesso em: 12 fev. 2016.

LUZ, H. Televisão, Indústria da Música e Reality Show Musical no Brasil. Tese de Doutorado – Programa de Pós-Graduação em Comunicação. Niterói: Universidade Federal Fluminense, 2013. Mimeo.

MARTÍN-BARBERO, J. Dos Meios às Mediações. Rio de Janeiro: Editora UFRJ, 2003.

MCREADY, R. American Idol Ends: Look back at the 10 Most Successful Alums. US Magazine, 15 nov. 2015. Disponível em: http://www.usmagazine.com/entertainment/news/american-idol-ends-look-back-at-the-10-most-successful-alums-2015115

Acesso em: 2 dez. 2015.

MICHAELS, S. Queen to recruit American Idol Singer? The Guardian, 27 mai. 2009. Disponível em: http://www.theguardian.com/music/2009/may/27/queen-american-idol-singer

Acesso em: 15 out. 2015.

TAYLOR, D. O Arquivo e o Repertório: Performance e Memória Cultural nas Américas. Belo Horizonte: Editora UFMG, 2013.

Downloads

Published

2017-01-02

How to Cite

Amaral, A., Monteiro, C., & Soares, T. (2017). Queen, the Queen: Controversies about gender and performances. Revista FAMECOS, 24(1), ID23912. https://doi.org/10.15448/1980-3729.2017.1.23912

Issue

Vol. 24 No. 1 (2017)

Section

Media and Culture

License

Derechos de Autor

La sumisión de originales para la Revista Famecos implica la transferencia, por los autores, de los derechos de publicación. El copyright de los artículos de esta revista es el autor, junto con los derechos de la revista a la primera publicación. Los autores sólo podrán utilizar los mismos resultados en otras publicaciones indicando claramente a Revista Famecos como el medio de la publicación original.

Creative Commons License

Excepto donde especificado de modo diferente, se aplican a la materia publicada en este periódico los términos de una licencia Creative Commons Atribución 4.0 Internacional, que permite el uso irrestricto, la distribución y la reproducción en cualquier medio siempre y cuando la publicación original sea correctamente citada.