The labyrinth of contemporaneity

Authors

  • Charles Elias Lang Universidade Federal de Alagoas
  • Juliana Falcão Barbosa Universidade Federal de Alagoas
  • Patrícia Vieira de Souza Tóia Universidade Federal de Alagoas
  • Francisco Rafael Barbosa Caselli Universidade Federal de Alagoas

Keywords:

body, image, contemporaneity, subjectivity, femininity.

Abstract

The present work discusses modernity and the production of contemporary subjectivity. It is taken, as a model, the labyrinth of Eco (1985). There are three kinds of labyrinth: the classic labyrinth, the maneiristic, and the net. The classic is unicursal. As soon as it is entered, the only thing that can be done is to get to the center and, from there, the only thing that can be done is to find an exit. The maneiristic proposes alternative choices. All the circuits lead to a dead end, except one that leads to the exit. In the net, every point can have a connection with any other point. While the previous labyrinths have an inner and an outer side, the net, extensible to infinity, has no in or out. From this model, it is discussed the production of individualities and subjectivities, the body as a means of communication and the production of body images through the media.

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Author Biography

Charles Elias Lang, Universidade Federal de Alagoas

Professor e pesquisador no Curso de Psicologia da Universidade Federal de Alagoas. Área: Psicologia Clínica

Published

2011-05-25

How to Cite

Lang, C. E., Barbosa, J. F., Tóia, P. V. de S., & Caselli, F. R. B. (2011). The labyrinth of contemporaneity. Psico, 42(2). Retrieved from https://pucrs.emnuvens.com.br/revistapsico/article/view/6995

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Articles