Arthur Schopenhauer’s <i>metaphysics of music<i>

Authors

  • Henry Burnett Unifesp (Universidade Federal de São Paulo)

DOI:

https://doi.org/10.15448/1984-6746.2012.2.8931

Keywords:

Arthur Schopenhauer. Friedrich Nietzsche. Metaphysics of music.

Abstract

The World as Will and Representation, by A. Schopenhauer, constitutes one of the main sources of the first productive stage of Nietzsche’s work. This article highlights the main points of metaphysics of music developed in the third chapter of Schopenhauer’s work and indicates their determinants influences on the young Nietzsche.

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Author Biography

Henry Burnett, Unifesp (Universidade Federal de São Paulo)

Departamento de Filosofia da EFLCH/Unifesp

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Published

2012-08-30

How to Cite

Burnett, H. (2012). Arthur Schopenhauer’s <i>metaphysics of music<i>. Veritas (Porto Alegre), 57(2), 143–162. https://doi.org/10.15448/1984-6746.2012.2.8931

Issue

Vol. 57 No. 2 (2012): Epistemology, Logic, and Philosophy of Language

Section

Varia