Masters of someone else’s domain: narrative and style in Seinfeld
DOI:
https://doi.org/10.15448/1980-3729.2017.2.25049Keywords:
Seinfeld, Narrative, StyleAbstract
The paper analyzes the TV show Seinfeld and its breaking with the genre conventions historically constructed on american television. To this end, our analysis points out two dimensions of program aesthetics: the narrative and the stylistic ones. From the narrative aesthetics point of view, we indicated a break with the goal oriented dramatic model (or the “Aristotelian model”, hegemonic in the television of such period). From a stylistic point of view, we consider how the increasing adoption of unusual production practices led to the formation of a hybrid between the multi-camera sitcom and the single camera programs.Downloads
References
ACKERMAN, Andy: entrevista (parte 2) [Nov. 2007]. Entrevistadora: Jenny Matz. Los Angeles: The Television Academy Foundation, 2007. Disponível em: http://www.emmytvlegends.org/interviews/people/andy-ackerman# Acesso em: 14 nov. 2015.
BERCIANO, Rosa. La Comédia Enlatada: De Lucille Ball a Los Simpsons. Barcelona, Editorial Gedisa, 1999.
CHERONES. Tom: entrevista (parte 2) [Jun. 2011]. Entrevistadora: Amy Harrington. Los Angeles: The Television Academy Foundation, 2011. Disponível em: http://www.emmytvlegends.org/interviews/people/tom-cherones# Acesso em: 12 nov. 2015.
KRUTNIK, Frank “A Spanner in the Works? Genre, Narrative and the Hollywood Comedian”. In: KARNICK, Kristine B.; JENKINS, Henry. Classical Hollywood Comedy. New York: Routledge, 1995a.
LACEY, Nick. Narrative and Genre: Key concepts in media studies. New York: Palgrave, 2000.
LEVINE, Josh. Pretty, Pretty, Pretty Good: Larry David and the Making of Seinfeld and Curb Your Enthusiasm (Kindle Edition). Toronto: ECW Press, 2010.
MARC, David. Origins of the genre: in search of the radio sitcom. In: DALTON, Mary; LINDEN, Laura. The sitcom reader: america viewed and skewed. New York: State University of New York Press, 2005.
MILLS, Brett. The Sitcom. Edinburgh: Edinburgh University Press Inc., 2009.
MINTZ, Rick. The Great TV Sitcom Book. New York: Richard Marek Publishers, 1988.
MORREALE, Joanne. Critiquing the sitcom: A Reader. New York: Syracuse University Press, 2003.
PALLOTINI, Renata. Introdução à dramaturgia. São Paulo: Editora Ártica, 1988.
PELEGRINI, Christian H. Sujeito Engraçado: a produção de comicidade pela instância de enunciação em Arrested Development. 2014. 259 f. Tese (Doutorado em Meios e Processos Audiovisuais), Escola de Comunicação e Artes, USP, São Paulo, 2014.
ROUBINE, Jean Jacques. Introdução às Grandes Teorias do Teatro. Rio de Janeiro: Jorge Zahar, 2003.
SEINFELD SEASONS 1 – 9. Direção: Ackerman Andy. SONY PICTURES – SONY, 1989 - 2008.
SMITH, Greg M. Ploting a Show About Nothing: Patterns of Narration on Seinfeld. Creative Screenwriting, v. 2, n. 3, p. 82–90, 1995.
THOMPSON, Kristin. Story telling in Film and Television. Cambridge, Harvard University Press, 2003.
Downloads
Published
How to Cite
Issue
Section
License
Derechos de Autor
La sumisión de originales para la Revista Famecos implica la transferencia, por los autores, de los derechos de publicación. El copyright de los artículos de esta revista es el autor, junto con los derechos de la revista a la primera publicación. Los autores sólo podrán utilizar los mismos resultados en otras publicaciones indicando claramente a Revista Famecos como el medio de la publicación original.
Creative Commons License
Excepto donde especificado de modo diferente, se aplican a la materia publicada en este periódico los términos de una licencia Creative Commons Atribución 4.0 Internacional, que permite el uso irrestricto, la distribución y la reproducción en cualquier medio siempre y cuando la publicación original sea correctamente citada.