Gender piracies: Queer-copyleft aesthetical experiments

Authors

  • Dolores Galindo Universidade Federal de Mato Grosso
  • Ricardo Pimentel Méllo Universidade Federal do Ceará

Keywords:

Queer, copyleft, piracies, gender.

Abstract

In this essay, we discuss the notion of gender piracy basing our thinking on the aesthetics of queer activism and copyleft licensing movement. By the way that in the western societies, since the beginning of the century, the gender identities and relations are strongly guided by biotech-normative codes (knowledge, artifacts, and technologies ruled by laws of intellectual property), it became possible the mix among activisms that otherwise would not share a common ground. Some gender piracies exhibit the same expertise of the hackers that work their skills in the contemporary arts and performance. Other piracy acts, just go with the flow of the daily events. But in both cases, the pirates overturn the principles of intellectual and technological properties that are mixed with the contemporary gender relations.

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Author Biographies

Dolores Galindo, Universidade Federal de Mato Grosso

Doutora em Psicologia Social (PUCSP), com doutorado sanduíche na Universidade Autônoma de Barcelona (UAB). Professora do Mestrado em Estudos da Cultura Contemporânea e do curso de Psicologia, ambos da UFMT. Pesquisadora do Grupo de Estudos e Pesquisas em Práticas Discursivas e Produção de Sentidos PUCSP.

Ricardo Pimentel Méllo, Universidade Federal do Ceará

Doutor em Psicologia Social pela Pontifícia Universidade Católica de São Paulo (2002). Professor adjunto IV do Departamento de Psicologia da UFC e professor colaborador do Programa de Pós-Graduação em Psicologia da UFC. Pesquisador do grupo de Estudos e Pesquisas em Práticas Discursivas e Produção de Sentidos PUCSP.

Published

2010-05-17

How to Cite

Galindo, D., & Méllo, R. P. (2010). Gender piracies: Queer-copyleft aesthetical experiments. Psico, 41(2). Retrieved from https://pucrs.emnuvens.com.br/revistapsico/article/view/6291