Vol. 25 No. 2 (2018)

View Vol. 25 No. 2 (2018)
DOI: https://doi.org/10.15448/1980-3729.2018.2
Published: 2018-04-07

Communication Policy

  • Globalization and Deglobalization: Another Dilemma of Post-Modernity

    Patricio Dugnani
    ID27918
    DOI: https://doi.org/10.15448/1980-3729.2018.2.27918

  • Unbiased journalism on sale: the steady decline of “catch-all” news media

    Diógenes Lycarião, Eleonora Magalhães, Afonso Albuquerque
    ID28384
    DOI: https://doi.org/10.15448/1980-3729.2018.2.28384

Public Relations

  • Reputational crisis and brand communication: Odebrecht’s strategy to "wash" its image

    Wilson da Costa Bueno
    ID28734
    DOI: https://doi.org/10.15448/1980-3729.2018.2.28734

Television

  • Building complexity TV series: the diegetic conception of Westworld

    Sílvio Antonio Luiz Anaz
    ID28492
    DOI: https://doi.org/10.15448/1980-3729.2018.2.28492

Journalism

  • Productive circuit of the Agência Pública and the possibilities for the expansion of freedoms

    Ângela Cristina Trevisan Felippi, Vanessa Costa de Oliveira
    ID27593
    DOI: https://doi.org/10.15448/1980-3729.2018.2.27593

  • Interview as a research theme in the field of communication

    Agnes Francine de Carvalho Mariano
    ID28307
    DOI: https://doi.org/10.15448/1980-3729.2018.2.28307

Movie

  • Poetic Representations of Death in Media Narratives: Chinese Take-Out

    Míriam Cristina Carlos Silva
    ID27475
    DOI: https://doi.org/10.15448/1980-3729.2018.2.27475

  • Cinematographic image and thought: image-affection at the confluence of the of Peirce’s and Deleuze’s theories

    Maria Ogécia Drigo
    ID27989
    DOI: https://doi.org/10.15448/1980-3729.2018.2.27989

  • Lessons of darkness: Herzog and Lovecraft in three documentaries

    Jamer Guterres de Mello, Lúcio Reis Filho, Laura Loguercio Cánepa
    ID28490
    DOI: https://doi.org/10.15448/1980-3729.2018.2.28490

  • Sound-acoustic dramaturgy in cinematic spaces

    Irene de Araújo Machado
    ID28545
    DOI: https://doi.org/10.15448/1980-3729.2018.2.28545

  • Intensified continuity in film sound: six trends and a case study

    Rodrigo Carreiro
    ID28679
    DOI: https://doi.org/10.15448/1980-3729.2018.2.28679

  • FILMIC WRITING THE HISTORICAL WORLD: THE “INDIGENOUS QUESTION” IN BRAZIL

    Marcos Aurélio Felipe
    ID29351
    DOI: https://doi.org/10.15448/1980-3729.2018.2.29351

Communication Science

  • Latin America through a neutral network: the principle of neutrality in Chile and Brazil

    Ornela Vanina Carboni, Cecilia Labate
    ID28507
    DOI: https://doi.org/10.15448/1980-3729.2018.2.28507

  • Recognition and Development of Communication Science in the Netherlands

    Joan Hemels
    ID30161
    DOI: https://doi.org/10.15448/1980-3729.2018.2.30161

Media and Culture

  • Remix and sampling: DJs' identity and memory in the electronic music

    Herom Vargas, Nilton Faria de Carvalho, Priscila Ferreira Perazzo
    ID28156
    DOI: https://doi.org/10.15448/1980-3729.2018.2.28156

  • Exu, the androgynous canibal: approximations between mythology and anthropophagous brazilian imaginary to think otherness

    Florence Dravet
    ID27839
    DOI: https://doi.org/10.15448/1980-3729.2018.2.27839

  • Culture: between the arena of struggle and the Hip Hop movement

    Tatiana Aparecida Moreira
    ID27498
    DOI: https://doi.org/10.15448/1980-3729.2018.2.27498

  • The notion of space and the practices related to media within the contemporary rural

    Ana Carolina Escosteguy, Aline Bianchini, João Vicente Ribas
    ID28325
    DOI: https://doi.org/10.15448/1980-3729.2018.2.28325

  • Retrofuturism, space and media-body: steampunk and tomorrow’s memory

    Mônica Rebecca Ferrari Nunes, Marco Antônio Bin
    ID29017
    DOI: https://doi.org/10.15448/1980-3729.2018.2.29017

Audiovisual

  • Analysis of the mediations of the pop music video Flei

    Jeder Janotti Junior, João André Alcantara
    ID27641
    DOI: https://doi.org/10.15448/1980-3729.2018.2.27641